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SCREENING, STREAMING & INSTALLATION SCHEDULE
May 3 - May 31, 2026 @ Verbeke Foundation

All films are in English OR have English subtitles.

Every Sunday in May 2026
Screenings start at 15:00

 

This screening programme includes 78 films.
All films are either in English or have English subtitles.

 

Location
Verbeke Foundation, Westakker, Kemzeke
CAST MOBIEL / SKULL / BLOB / MIELE STATION / BRUGGENHOOFD KIDS

 

Tickets at the Verbeke Foundation box office

 

Adults: €15
Students & teachers: €12
60+: €13
Disabled visitors + companion: €5 p.p.
Children under 14: free, under parental supervision
Selected filmmakers: free

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SUNDAY MAY 24

@ SKULL

EVERY SUNDAY MAY

@ BLOB

Waterfall (United States) by Stephen Hilyard

Waterfall presents the viewer with a single static shot of a majestic waterfall. Over the course of the piece a number of diminutive figures walk slowly into the shot on the gravel bar at the bottom of the falls. They have come to pay their respects to the waterfall, we might call them pilgrims - we might call them tourists. Their slow-motion performances appear to be a mixture of the comedic and the devout.

runningtime: 00:08:40

Sunflower.webp

SUNDAY MAY 17

@ SKULL

Sunflower (United States) by Stephen Hilyard

Sunflower is a single channel video piece, part of a trilogy entitled The Ends of the Earth. The theme of the trilogy is love, each piece deals with this theme in a different context, in the case of Sunflower the subtext of the piece is platonic love between friends. This piece is the result of a collaboration with a friend of mine, the writer Jon Wei. He created a dialog for three voices in reaction to an early version of the video. The video is derived from footage of floating ice on Lake Superior that was shot during the spring thaw. The dialog deals with questions of mutability and change, much as the lake itself wavers between solid and liquid for a very brief time as the pack ice is breaking up. Two voices are discussing the inherent nature of three different people, themselves and a third person, as well as the relationships between these three. The voices are characterized as “Stone”, “Water” and “One Who Thinks of Others”. The voices appear to personify their essential nature as revealed in the discussion (consistency versus mutability for instance), however they are in fact all voiced by a single actor performing both voices in real time. Sunflower is presented in three separate scenes. In each scene the conversation follows a similar course but the roles are exchanged by subtle changes to the dialog. In each scene a different character becomes the unseen third person who is being discussed by the other two. In fact it is not even clear that these really are three separate people, rather than three different aspects of the same mind conducting in internal conversation with itself. Each scene is named after the absent aspect.

The dialog for Sunflower was performed by the actor Jonathan Smoots and recorded at the Media Center in the Communication Arts Department of the University of Wisconsin Madison.

runningtime:00:06:00

Still5.jpg

SUNDAY MAY 10

@ SKULL

SUNDAY MAY 31

MIELE STATION @ SERRE

Waiting For Cupid (Belgium) by Jonas Hollevoet

After yet another rejection, a young man drifts aimlessly through the night. When he crosses paths with a sick crooner, he embarks on a journey past peculiar figures, mysteriously bound to one another.

runningtime: 00:19:00

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SUNDAY MAY 17, 24, 31

KIDS (PROOF)

Yellow Videodance (Mexico) by Héctor Maya Requena

Disgust, idyll, joy, stress, wealth... How do we inhabit colours? This video dance proposes to intervene in public space by expressing from our personal history the relationship we have with yellow in its positive and negative evaluations that we have given it from our experience.

runningtime: 00:03:33

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SUNDAY MAY 3

TWICE IN CASTMOBIEL

 

VICTORIAS (Germany) by Estelle Cortet

“VICTORIAS” is a retro-surreal comedy following a glamorous 1950s woman whose perfectly styled life spirals into bizarre scenes—chemical factories, TV stages, mutant insects, and atomic dinner parties—all while she smiles behind her iconic sunglasses.

runningtime: 00:07:15

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SUNDAY MAY 3

@ SKULL

DESCRIPTIONS OF THE SOUNDS OF THE MANUAL LABOR OF HOGS, HORSES, HUMANS & DOGS FROM MORE WESTERNS THAN I CARED TO SEE (United States) by Heather Warren-Crow

DESCRIPTIONS OF THE SOUNDS OF THE MANUAL LABOR OF HOGS, HORSES, HUMANS & DOGS FROM MORE WESTERNS THAN I CARED TO SEE (2025) is an experimental film about the labor that brought the American West into capitalism and the breath it took to get us there. It undertakes a systematic but ultimately failed attempt to register the bodily effort of animals (human and nonhuman) through the sounds of work described in the closed captions of Western films and TV shows. The transformation of bodily exertion into sound and then into words on a television screen later transcribed by me on my computer and overlaid on top of the video image brings to mind the phase changes necessary for respiration to be incorporated into the capitalist economy. For this found footage film, I appropriated clips from mid-20th century advertising and industrial films as well as videos made by steam train enthusiasts, creating novel sound/image pairings.

runningtime: 00:05:17

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SUNDAY MAY 17

TWICE IN CASTMOBIEL

Cosmic Impermanence (United States) by Heather Warren-Crow

Twin AI-generated avatars voice conflicting feelings about end times. The anus of the world intervenes. Recalling mood mining and other ways in which our emotions are instrumentalized through social media, COSMIC IMPERMANENCE  is an experimental short that uses commercial AI and low-fi found footage to capture a vibe.

runningtime: 00:03:00

Dead tooth.webp

SUNDAY MAY 3, 10

MIELE STATION @ SERRE

Dead tooth (France) by Romane Eilahtan

Tara has a dental appointment to fix a dead tooth. But one unexpected event after another turns this endless day into hell. Will Tara find a way to smile again and at what costs?

runningtime:00:20:00

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SUNDAY MAY 24

TWICE IN CASTMOBIEL

FRANCK (France) by Fabio Caldironi

Franck is a soldier. He watches the streets of Paris. But one day, Franck decides to leave. 

runningtime: 00:18:45

BECOMING.webp

SUNDAY MAY 3

TWICE IN CASTMOBIEL

BECOMING (United Kingdom) by Shelley Hopkins

BECOMING transports us to an otherworldly realm where an angelic chorus of synth and suggestion underscores an ever- changing landscape that is simultaneously fixed at the micro - the savage and purposeful dance of creation and destruction and the macro - the unimaginably vast and unwittingly beautiful scale of an unthinking and an unknowable universe swirling towards it's next stage.  

runningtime: 00:04:48

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SUNDAY MAY 3

TWICE IN CASTMOBIEL

Canard x S.O.A.P. - Essaye échoue (France) by Abel Kohen

We try, we fail, we try again, we fail better.

runningtime: 00:03:30

Waiting For Cupid.jpeg

SUNDAY MAY 10

@ SKULL

Waiting For Cupid (Belgium) by Jonas Hollevoet

After yet another rejection, a young man drifts aimlessly through the night. When he crosses paths with a sick crooner, he embarks on a journey past peculiar figures, mysteriously bound to one another.

runningtime: 00:19:00

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SUNDAY MAY 3, 10

KIDS (PROOF)

Commedia Fantasia (Canada) by Gina Lori Riley, Peter Freele

Three main characters move through six fantastical realms where they encounter entities that are allegories of the human condition The spirit of transformation is underscored by the unusually masked and costumed characters that serve as metaphors of the traits of humanity across borders, the identities inhabited and the ways humans navigate absurdity. There is discovery, laughter, play, and movement as survival through physical action and non-verbal dialogue. 

runningtime: 00:33:00

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SUNDAY MAY 15

TWICE IN CASTMOBIEL

Long Ago (Italy) by Alessandro Amaducci

“Long Ago” is a trilogy consisting of ‘The Stage of Flesh,’ ‘Body of Art’ and ”Allegorithmic.” In a distant future inhabited by cyborgs, an archive of video artifacts, made with artificial intelligence generative programs and produced by human beings, is discovered. In these films the mankind sought clandestinely to recover the imagery of themes such as the beauty and power of the body, eroticism and sexuality, which have been censored and declared illegal.

runningtime: 00:19:33

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SUNDAY MAY 10

@ SKULL

Dowsing (United States, United States) by Tim Feeney

Ten repetitive sonic interventions within the eroded landscapes of the Burren, County Clare, Ireland.

These occur at sites of local “anti-monuments:” a kilometers-long, natural limestone pavement high above Galway Bay; stone farm walls and remnants of circular structures on hillsides; cairns near a shoreline; a field of glacial boulders interrupted by a road smashed from the surrounding stone formations, in forced public work by the starving during the Great Hunger of 1845 to 1852. These structures speak to both the passage of geologic time, and the care and efforts of human survival beginning in the Neolithic period and tended through the present, though local history at each site may be lost, or unrecorded.

These are introduced in title cards in English, italicized as a term in a language foreign to the observer, and in Irish in plain font, as in an observer’s native language. 

From one perspective, a sonic divining or physical research into the properties of land, space, light, and time in these locations; from another, an attempt as an “Irish-American” to reckon with language, archaeology, and history felt as formative but inarticulable without lived context.

After a point, you can only ask the stone so many questions, and sometimes you can only hear your own voice in response.

runningtime: 01:38:30

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SUNDAY MAY 

KIDS (PROOF)

ZOOTROPE (France) by Léna Martinez

During a visit to a zoo, our gaze lingers on the last silhouettes and stories that still inhabit the place. 

runningtime: 00:07:48

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SUNDAY MAY 3, 10

MIELE STATION @ SERRE

Exeunt(France) by Franck Ernewein

A young woman finds herself lost in a mysteriously empty techno club, trying by all means to find a way out... and the others. 

runningtime: 00:08:43

scenario.jpeg

SUNDAY MAY 3, 10

MIELE STATION @ SERRE

scenario (Japan) by Kazunori Miura

runningtime: 00:24:59

Unscarred.webp

SUNDAY MAY 3, 10

MIELE STATION @ SERRE

Unscarred (Belgium) by Théo Roland

This is the story of the evolving relationship between a mother and her son. The mother is bipolar and has violent outbursts. After years, the mother becomes stable, and they decide to make a film together, playing themselves in it. This move symbolizes the end of their chaotic journey.

runningtime: 00:21:35

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SUNDAY MAY 3, 10

KIDS (PROOF)

 

The Pangs of Mu (Portugal, Singapore) by Elena Kuznetsova

A young musician, suffering from the Pang of Music, dreams of climbing the mountain of fame. But on his way to the top, he somehow falls victim to a side effect of his work. As a result, a crazy and extremely restless bird suddenly moves into his head. But as it turns out later, the bird didn’t come alone!

runningtime: 00:02:25

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SUNDAY MAY 24

TWICE IN CASTMOBIEL

Geometries of Time - The Cockroach (Italy) by Francesca Ferrario

A man comes home at night and steps on a cockroach: it is the beginning of a long agony that influences the surrounding world, to the point of suspending the flow of time. A stop-motion animated short films inspired by Dino Buzzati, one of the main Italian writers from 20th Century.

runningtime: 00:04:40

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SUNDAY MAY 3, 10

KIDS (PROOF)

SUNDAY MAY 17, 24

MIELE STATION @ SERRE

"2nd Day & the End of the World" (Denmark) by Sara Koppel

It is a 12 minutes handrawn op paper, Hyper-Family-Drama 

about processes of secession, post-traumatic attacks, 

tempting body conditions & powerless loneliness 

in a climate-catastropic universe.

runningtime: 00:12:28

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SUNDAY MAY 17

TWICE IN CASTMOBIEL

XXL (Spain) by Gerard Escuer Pane

Music video for the song 'XXL' from the spanish punk band NEOSEBO and their debut album "Codigo Morsa"

runningtime: 00:02:40

An excess baggage.jpeg

SUNDAY MAY 31

MIELE STATION @ SERRE

An excess baggage (France) by Myriam Garcia Marienstras

Sophie hides her unease within the intense bond she shares with her daughter, Lila. When Lila leaves for summer camp, Sophie finds herself alone for the first time, overwhelmed by separation and emotional dependency. As the day unfolds, she drifts through encounters and small gestures, trying awkwardly to fill the void. An Excess Baggage portrays a woman whose love, though sincere, becomes too heavy to carry.

runningtime: 00:16:20

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SUNDAY MAY 3, 10

MIELE STATION @ SERRE

L'Ouverture (United States, United States)By Maggie Deer

When a little girl's puppet theater comes to life, she becomes victim to her own imagination. 

runningtime: 00:09:33

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SUNDAY MAY 17, 24, 31

KIDS (PROOF)

DYNAMICS (Netherlands) by Teo Baehler

DYNAMICS (Frozen Movements) is an experimental, dreamy and surreal stop-motion film, created using everyday materials. The film offers a visual reflection on transformations that emerge through the intuitive blending of dissimilar elements. The result is a non-narrative art film where fantasy, form and texture merge into a sensory experience.

This short animation invites viewers to surrender to a world where logic gives way to atmosphere and intuition. The hypnotic soundscape enhances the avant-garde character of the film and leaves plenty of room for personal interpretation.

runningtime: 00:14:32

Comfort Station.jpeg

SUNDAY MAY 17

TWICE IN CASTMOBIEL

Comfort Station (United States) by Karen Leo

An evening of channel surfing between dimensions. 

runningtime: 00:08:14

Home.jpeg

SUNDAY MAY 24

@ SKULL

Home (Belgium) by Hanne Schillemans, Ralph Timmermans

Home is a short film about the fragility of life and the virtue of solitude. A faceless figure attempting not to resist the endless waves of pointlessness.

Home explores the tension between presence and absence within the strange choreography of existing. The protagonist’s nudity, devoid of eroticism, emphasizes vulnerability and the human form as a part not nature, reinforcing the film’s existential themes.  The figure remains faceless, allowing her to become anyone — or everyone, shifting the focus away from personal identity and stressing instinct over intellect, being over persona.

Home oscillates between the micro and the macro, between intimacy and vastness. Ants crawling with tireless precision, the sun rendered in cosmic proximity. In this interplay the human body becomes just another element: fragile, raw, exposed and dwarfed by the enormity of the natural world. 

Home meditates on aloneness not as absence, but as condition. It invites the viewer to witness a body moving through a universe that does not look back. Accompanied by music that is as raw as it is emotional, the film does not conform to conventional cinematic structures but instead allows the audience to immerse themselves in the rhythm of isolation and the ebb and flow of meaning in an indifferent world.

Home is created by Spin Echo – Hanne Schillemans and Ralph Timmermans

runningtime: 00:11:29

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EVERY SUNDAY MAY 

TWICE IN BLOB

Plastoc (Germany) by Estelle Cortet

Plastoc explores a dystopian world consumed by plastic through fragmented, surreal imagery. This video installation invites the viewer into a space of sensory and conceptual overload — a world where plastic is everywhere.

runningtime: 01:18:49

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SUNDAY MAY 17, 24, 31

KIDS (PROOF)

Mr Lady (Italy)

When did we begin to understand that strength is not measured in coldness and misanthropy? Perhaps it is still not very clear to us. Mr.Lady is the mother of our grandmothers, hardened by the machismo and responsibilities of the woman described in religious tales. An old woman left to her own devices in a country house who just needs someone to find the courage to talk to her, someone who understands that no one can change unless they receive love.

runningtime: 00:02:49

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SUNDAY MAY 17

TWICE IN CASTMOBIEL

Dressed for dinner (Italy) by Andrea Verardi

On a timeless night, a solitary man finds himself in a desolate alley, drawn by a warm, unreal light emanating from an elegant restaurant hidden in the shadows. The entrance opens as if by magic, and an enigmatic waiter welcomes him.

Inside, the place is filled with silent diners, absorbed in a gastronomic ritual that goes beyond mere nourishment. The dishes served have no names, yet each bite awakens in the protagonist memories that do not belong to him.

As the dinner progresses, the sensory experience transforms into an inner journey. The boundary between reality and hallucination begins to blur, and the man is forced to confront the deepest and most uncomfortable truths of his existence. The meal culminates in a devastating revelation, leading him to a conclusion as surreal as it is inevitable.

runningtime: 00:09:46

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SUNDAY MAY 17, 24, 31

MIELE STATION @ SERRE

Sensus Mori (United States) by Sydney Rincón

When an elusive society agrees to be interviewed, a journalist must contend with their ideologies or risk falling prey herself.

In a tumultuous Fall of 1969, Lydia, a spry young journalist searches for a story and a name for herself. This obsession brings her to the Sonder Society, a private collective on the edge of town with a strange way of presenting themselves. When invited to a private dinner, Lydia learns more of the Society's strange manners and of her own sense of self.

runningtime: 00:08:17

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SUNDAY MAY 31

TWICE IN CASTMOBIEL

Big City Pizza (United States) by Dusty Saunders

As tension rises in the big city for the Omniball Championship, Boney, a skeleton pizza delivery man starts his shift. Animated entirely from Boney’s POV in one continuous, unbroken take, we follow his delivery route where every stop is weirder than the last.

runningtime: 01:20:33

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SUNDAY MAY 17

TWICE IN CASTMOBIEL

Dream's Descent (South Africa) by Sara Gouveia, Inka Kendzia, Gregory Maqoma

“Dream’s Descent” is a hauntingly surreal dance film that traces the journey of a solitary dancer as he navigates a dreamlike landscape fractured by memory, identity and desire. Drawn into a shifting world where time dissolves and space contracts, he encounters fragmented versions of himself, each embodying a suppressed emotion, forgotten trauma or repressed aspiration.  Through ritualistic choreography and symbolic confrontations, these encounters blur the line between self and shadow. As the dancer spirals deeper into the labyrinth of his subconscious, the movement becomes a language of reckoning.

“Dream’s Descent” is not about conquering the self, but integrating it, emerging not whole, but awakened, transformed by the very fragmentation that once threatened to undo him and ready to face whatever comes next.

runningtime: 00:10:14

Aarde.jpg

SUNDAY MAY 17

@ SKULL

Aarde (Belgium) by Mathias Bracke

Aarde is a hand-painted 16mm film that evokes an underground road and the mysterious elements that might be encountered along it. The soundtrack, composed of recordings made in a wooden attic during a windy evening, creates an intense, creaking soundscape. Amid this unrest, a subtle droning melody emerges as a fragile sense of safety.

runningtime: 00:04:07

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SUNDAY MAY 24

TWICE IN CASTMOBIEL

The Wild Death of Archie Peach (Germany) by LUZI

Archie Peach searches for something other than what he thought was reality; he is met with “the pirates” ideas of leaving behind the norms, values, and identities of the “living dead” — society — to imagine a freer way of being and to break through its boundaries.

runningtime: 01:08:09

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SUNDAY MAY 17, 24, 31

KIDS (PROOF)

SUNDAY MAY 3, 10

MIELE STATION @ SERRE

Life under a rug (Germany, Spain)

“Life under a rug” approaches the topic of domestic violence moving away from explicit representations and opting for a symbolic and sensorial narrative. Through the use of a unique color palette, symbolism of objects and daily life actions and carefully selected music, the project creates a space where emotions and atmosphere speak for themselves.

runningtime: 00:07:41

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SUNDAY MAY 17, 24, 31

KIDS (PROOF)

An Invisible Cord (United Kingdom) by Peter Simpson

In a quirky and vivid galaxy full of flora and fauna, a lone engineer studies the stars to predict things to come. After his computer extrapolates an unsettling and incomplete destiny, how far will he push his machines to reveal the fate of the galaxy?

This dialogue-free film is created for the world today. Combining live action, animation, sound, colour, light and music.

runningtime: 00:39:52

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SUNDAY MAY 17

@ SKULL

Hiding Places by Magdalena Bermudez

Women pretend to be rocks. Military operations masquerade as art education. One woman deserts to pursue a more radical act of unselfing.

runningtime: 00:12:22

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SUNDAY MAY 24

@ SKULL

Hairy Dreams (Canada) by Lina Cruz

Hairy Dreams evokes the interior world of a lonesome yet carefree character. Through words and movement, this is a visual abstract tale, taking place in a white cave-like space made of paper. Within this sort of origami igloo, a surrealist puzzle of images portrays the everyday routine of a diligent being.

Through various incongruent actions, the character assembles and disassembles repeatedly its interior translucent world. In this quest for an interior castle, time is always present, haunting yet of precious companionship.

The daily routine eventually leads to the ultimate goal: the need to be fed in order to keep the dream flowing. Towards the end of the cycle, in a sort of "oneiric" and liberating flight, the character swiftly disappears into the paper walls of its imaginary castle.

Contrary to Cruz’s works for the stage, Hairy Dreams is only lightly dance oriented. There is movement and body expression in it, but the film relies mostly on a composition of objects, actions, words and soundtrack.

runningtime: 00:08:57

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SUNDAY MAY 31

@ SKULL

Knife, Chocolate (Iran) by Hooshmand Varaei

This movie is the story of a happy family!

The son of the family is antisocial, psychotic, skeptic and sexist who judges women by the smell of their cosmetics!

He believes that the smell of a decent  woman’s cosmetics is different from an indecent one!

He even classifies bees.

Prostitute or chaste, that is the question!

Like an interrogator, he openly tortures his sisters mentally and emotionally.

Of course, the crime of the daughters of this family is very serious!!!

They want makeup!

They want to get married!

They don't want to work like a servant at home!

And the funniest of all, they have bought a male doll.

A male lion!

The daughters of this family are victims similar to "Mahsa Amini" who are tried only for the crime of being a woman.

Women who may be your neighbors right now.

Can't you hear them crying?

Women looking for life and freedom!

runningtime: 00:15:00

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SUNDAY MAY 17

TWICE IN CASTMOBIEL

The Story of The Cricket Queen (United States) by Natalie Peracchio

The “Story of The Cricket Queen” recreates digital media tropes, trends, and aesthetics with analog film techniques.

runningtime: 00:03:57

Outbound.jpeg

SUNDAY MAY 3, 10

KIDS (PROOF)

SUNDAY MAY 3, 10

MIELE STATION @ SERRE

Outbound (United States) by Eli Jeffery

A curious robot finds a storage device that may lead him far away.

runningtime: 00:02:58

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SUNDAY MAY 3

@ SKULL

Dirt (United States) by David Finkelstein

Dirt is an extended poetic meditation on the American relation to the soil, and the energies buried within it. Notions of “dirtiness” and “cleanliness” are re-examined. Centuries of history, of conquering and re-conquering, lie beneath our feet, and the return of the vanquished is inevitable. There has also always been an alternative possibility, within the American landscape, inspired by indigenous culture, of a more peaceful relationship with the soil, the resting place of our ancestors.

A collage of poetic imagery, music, and invocatory language, the film follows two men in a series of esoteric experiments. Their words take us to unexpected landscapes, populated by revengeful toasters, flying fiddles, an unusual game of tennis, and a mountaintop crowned with an electric guitar. A postmodern video opera, Dirt bathes the viewer in music, language, and visual spectacle.

runningtime: 01:19:00

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EVERY SUNDAY MAY 

@ BLOB

SUNDAY MAY 31

MIELE STATION @ SERRE

Floral Zombification (United States) by Derrick Schultz

Like the cordyceps fungus and their ant hosts, generative machine learning models take control of films of the past to further their own infectious spread.

runningtime: 00:04:00

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SUNDAY MAY 10

TWICE IN CASTMOBIEL

Dead, White and Blue (United States) by Mike Davis

A "green movie" made of recycled footage from over 300 stock and public domain films with a brand new storyline and dialogue.  A rogue FBI agent teams up with the United States Army to defeat the KKK, who have invaded to body of an innocent black man killed by a racist cop.

In an attempt to go mainstream, the KKK has modernized and gone high tech with flashy new promo videos, clothing, and an evil plot to plunge the country into a race war with the help of a shrink ray created by their top scientists. After a a policeman shoots an innocent black man, he enlists the Klan to help him elude justice by retrieving the incriminating bullet. FBI agent Kwame Blackstone gets wind of the plan and enlists the army to help him put a stop to the evil organization for good. But with sophisticated new weaponry and the wind in their sheets, they will not go down without a fight. An over the top comedic political satire featuring a cast of thousands and the best government-produced film footage money can't buy!

A satirical sci-fi retro action comedy that takes aim at the absurdity of American racism.

runningtime: 01:24:37

Fumble.jpeg

SUNDAY MAY 24

@ SKULL

Fumble (United States) by Mahsa Talebiani

Fumble (2024) is a series of lighthearted performative vignettes that explore the duality of immigrant and queer life, the longing to return to the familiar geographic, cultural, and bodily coordinates of the past, alongside an equally compelling desire to assimilate into a new culture and identity. It depicts both the attempts and failures to fit in and explores the felt incongruities of this experience in a hybrid form.

runningtime: 00:15:00

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EVERY SUNDAY MAY 

@ BLOB

SUNDAY MAY 31

MIELE STATION @ SERRE

BALEINES (Belgium) by Sylvain Dufayard

A camera moves between the bodies of four women, who maintain a strange verticality despite their immersion in the ocean. Like sleeping whales, they let themselves drift gently, without fear or restraint, their faces clinging to the surface of the water.

runningtime: 00:08:23

Release.jpeg

SUNDAY MAY 31

MIELE STATION @ SERRE

Release (Hungary) by Zoltan Gergely Szabo

A young man is in prison instead of his brother because he took the punishment on his behalf. A mysterious visitor arrives to persuade him to make a new confession. However, the tempter fails to achieve his goal.

runningtime: 00:10:09

The Oldest.jpeg

SUNDAY MAY 31

TWICE IN CASTMOBIEL

The Oldest(United States) by Cathlin McCullough

12-year-old Kate longs to escape her lonely reality as the oldest of 5 under the shadow of her father's addiction in this coming-of-age story set in late 80s rural Iowa. “The Oldest” focuses on the inner life of a girl forced to grow up too fast and highlights the gulf of difference between the heaviness of home life and the freedom of just being a kid.

runningtime: 00:09:48

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SUNDAY MAY 17

TWICE IN CASTMOBIEL

A Blink and A Whisper (United Kingdom) by Annamaria Pennazzi

A Blink and Whisper is a surreal, intimate exploration of the connection between an eye and a mouth. Through close-up imagery, evocative sound, and rhythmic gesture, a cautious eye meets a playful, seductive, theatrical mouth in wordless dialogue. Desire and fear unfold through vulnerability. When the eye withdraws, another blink in the shadows suggests quiet recognition and unexpected companionship.

runningtime: 00:05:46

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SUNDAY MAY 17

TWICE IN CASTMOBIEL

NY Grind

A burlesque performer performs and explains her act.

runningtime: 00:09:01

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SUNDAY MAY 24

MIELE STATION @ SERRE

Fish Standing on the Rocks (Greece) by Georgia Petrali, Joanna Poupaki

Waking from and into a dream, a wandering woman finds herself in a new company of females, a company of superheroes, dancing for their suppressed truths and the fragile realities of existence.

“I emerged from the womb of a storeroom, trapped by the abuse and memories of the past… I escaped! I escaped from the storeroom and found the light on the warm grass. And as I opened my eyes and saw the mountains embracing me, I radically transformed into a giant, a superhero, a priestess and a witch, finding the other witches…”

The women as fates, sunken in rocky terrains… And just like fish, they flap and thrust in a dreamlike state of nostalgia, vanity, burnt landscapes and foggy pink thoughts. The bodies, free of scales, discover how to whisper great cries, projecting feelings and resistance. 

“And when red begins to turn pink and grow in the soil, with the eyes always facing the sky, then light is probably the only thing that tends to define the horizon…”

runningtime: 00:04:06

Beef For Climate.webp

SUNDAY MAY 3, 10

kids (proof)

Beef For Climate (Belgium)by Mona D'hertefelt

Panic rises on a meadow when four cows are confronted by a billboard with the hard truth: they are the cause of global warming. While each has their unique and interesting coping strategy, it is soon clear that no one can handle this new information alone, and cooperation will be needed to solve the climate problem.

runningtime: 00:03:55

Tiny Red Dot.webp

SUNDAY MAY 17

@ SKULL

Tiny Red Dot (United States) by Krista Leigh Steinke

The “tiny red dot” in this film is represented by a ladybug, a universal symbol of transformation and good luck. Referencing a quote from Carl Sagan, the film invites viewers to pause, make correlations, and observe our planet from both the vast distance of outer space, and from a close-up perspective—underneath the rocks, leaves, sand, and soil. The film collages 4K video, manipulated analog footage, audio and sample clips from NASA archives, with other imagery to poetically reflect on the intersections of time and space.

runningtime:00:04:35

U-SCOPIC.jpeg

SUNDAY MAY 17

@ SKULL

U-SCOPIC (United States) by Krista Leigh Steinke, Meg Cook

Originally created for a Houston city public art project, Steinke and Cook merge the micro with the cosmic in their new film U-SCOPIC. Drawing inspiration from microscopic creatures and audio and imagery from the NASA archives, the artists animate new forms using various experimental techniques. In this piece, circular orbs morph in and out of focus, resembling specimens in a petri dish, a starry galaxy, or bubbly particles floating in space. From the tiniest creatures that help keep our ecosystem healthy to the farthest star that illuminates our sky, the project reflects on the beauty and interconnectedness within our universe.

runningtime: 00:03:00

Komboloi (worry beads).jpeg

SUNDAY MAY 17

@ SKULL

Komboloi (United States) by Krista Leigh Steinke, Meg Cook, Courtney Starrett

Komboloi (worry beads) is a collaborative video poem that merges experimental film and animation techniques to explore anxiety in the era of climate change. 

Central to the film is the symbolic use of worry beads—a cross-cultural object used to calm anxiety. Crafted from ice formed from local water sites, these beads embody the fragility of our planet and serve as a visual and thematic focal point. The project weaves together 16mm analogue footage, stop motion, cyanotype on film, and other processes to embrace chance and echo the unpredictable consequences of climate change. 

Guided by a Fluxus-inspired procedural poem and an original musical score, Komboloi invites reflection on ecological grief, impermanence, and the urgent need for both individual and collective action.

runningtime: 00:07:11

Super V.webp

SUNDAY MAY 17

TWICE IN CASTMOBIEL

Super V (France) by Franck JANIN

In a rainy and desolate countryside, a man finds himself stuck behind the wheel of his broken-down car. Unable to restart it, he loses his patience. Fortunately, SUPER V is here!

runningtime: 00:02:20

Scarred.jpeg

SUNDAY MAY 17

TWICE IN CASTMOBIEL

Scarred (Canada) by Zeddy Chevron

A patient who has undergone multiple surgeries tells the story of her life as a medicalized body. The doctors keep reconstructing her over and over, but she must be grateful every time she is torn apart.

runningtime: 00:03:16

The Bull.jpeg

SUNDAY MAY 17, 24

MIELE STATION @ SERRE

The Bull (United Kingdom) by Victor Nauwynck

Cyriel and Marie, a childless married couple, live on an isolated farm. Their laborious, monotonous lives are turned upside down when a highly virile bull is brought onto their farm. While Cyriel is determined to impregnate their cows, Marie develops an unlikely attraction to the bull.

runningtime: 00:19:59

Cicada.jpeg

EVERY SUNDAY MAY 

@ BLOB

SUNDAY MAY 17

@ SKULL

Cicada (United States) by Julia Wilkins, Ramzy Telley

Cicada explores transformation through a visual, auditory, and emotional journey which turns a garment into a character, a character into a creature, and captured sounds into an auditory experience. 

Cicada takes the viewer from the sensual to the meditative. Distorting time, space and sound, the collaborative team worked together to upend our sense of gravity and aural logic with the performance, sounds of nature, and filmic techniques.

runningtime: 00:09:36

The Dust of This Place.jpeg

SUNDAY MAY 31

@ SKULL

The Dust of This Place (United States) by Vanessa Van Wormer

Set in the high desert of California off of Historic Route 66, The Dust of this Place follows a couple lost in the limbo of a repeating moment in time, exploring absence, presence, and how a single difference in choice can affect their future.

runningtime: 00:20:13

Answerphone.jpeg

SUNDAY MAY 24

@ SKULL

SUNDAY MAY 17, 24

MIELE STATION @ SERRE

Answerphone (United Kingdom) by Ailsa Madill

A woman is haunted by a series of telephone calls. As she continues to dismiss them, her reality increasingly distorts.

runningtime: 00:08:45

Solstizio.jpeg

SUNDAY MAY 17, 24, 31

MIELE STATION @ SERRE

Solstizio (Italy) by Jacopo Gioacchini

The journey of a killer in search of love.

runningtime: 00:34:23

Georges.jpeg

SUNDAY MAY 3, 10

KIDS (PROOF)

SUNDAY MAY 17, 24, 31

MIELE STATION @ SERRE

Georges (France) by Alphonse Marcel

At the dawn of the 20th century, a filmmaker named Georges sets out to create a motion picture depicting a journey to the Moon, freely inspired by Jules Verne’s novel.

Driven by imagination and daring, yet haunted by doubt, fear, and exhilaration, Georges experiences the full emotional spectrum of artistic creation. Between moments of brilliance and vulnerability, laughter and uncertainty, his creative process becomes a journey of its own — as profound and adventurous as the voyage he seeks to bring to the screen.

runningtime: 00:06:23

FINIS TON ASSIETTE.jpeg

SUNDAY MAY 17

TWICE IN CASTMOBIEL

FINIS TON ASSIETTE (Belgium) by Florian Hénin

Facing the camera, a man delivers a quiet monologue about gratitude, discipline, and the importance of finishing what has been started. As he speaks, brief images interrupt his words, revealing fragments of his childhood.

runningtime: 00:05:02

Tainted by the Visual.jpeg

SUNDAY MAY 17

@ SKULL

Tainted by the Visual (United Kingdom) by Laura Calzada

This short experimental documentary explores how the experience of sound changes throughout the process of vision loss, using visual and aural language to interpret the subjective experience of blind individuals.

runningtime:00:08:08

Roses.webp

EVERY SUNDAY MAY 

@ BLOB

SUNDAY MAY 17

@ SKULL

Roses (United States) by ANDi LAND

The self-destructive nature of seeking love and

validation from external sources.

runningtime: 00:02:38

Because We Are Born Girls.webp

SUNDAY MAY 17, 24, 31

MIELE STATION @ SERRE

Because We Are Born Girls(Belgium) by Maggie Lung

A pregnant woman is told by a Belgian abortion center that she must endure a mandatory 6-day reflection period before undergoing the procedure. Those 6 days of isolation trigger memories and doubts about the future. While trying to give her decision a place, she reflects on what it is like to be a woman in the cultures she is a part of.

runningtime: 00:14:57

Mary Mother of God.jpeg

SUNDAY MAY 10

TWICE IN CASTMOBIEL

Mary Mother of God (Germany) by Johannes Fröhlich

White crosses, taped over mouths, screaming protesters. Since the death of her father, teenager Marie is regularly taken to anti-abortion protests by her dogmatic mother. Then Marie accidentally becomes pregnant herself. In the midst of a family still overshadowed by trauma, Marie struggles with the decision for or against an abortion. Together with her sister Lola, she fights to find her own voice.

runningtime: 00:26:24

Natal Kick, Cosmo Ground.jpeg

SUNDAY MAY 17

@ SKULL

Natal Kick, Cosmo Ground (South Korea) by Jaeik Kim

Single Channel Audiovisual with sonifications, 12m 37s, 2025

Under the occupied shadows, floating cosmo ground, xenoliths, and the breaths perceived from all beings are increasingly coarsened by humanity’s collective experiments. This work considers all existing entities as pioneers of a sentient cosmos, thinking not only from Earth but from the universe at large, and positions both human and non-human elements as agents jointly adventuring through this unknown space, while exploring the ecological emergencies of the present.

Starting from the current moment, when space development has once again surfaced as the foremost political theme worldwide, the work engages with the pioneering momentum of the new space age. From initiatives like SpaceX’s multi-planetary civilization program, which extends fascistic projects on Earth into the cosmos, Natal Kick Cosmo Ground seeks to chart new relationships. Natal Kick articulates asymmetric finitude as the release of uneven energy during a supernova explosion, marking the death of a star once considered infinite. In contrast, humanity projects its Earth-bound modes of dominance and thought beyond the planet, spreading terrestrial conflicts and unjust hierarchies into the stars and cosmos under the infinite nominality of the commons, while actively reinforcing extractivist practices.

Contemporary society extends into a new space age through scientific production and experimentation that reach beyond the bounds of Earth. Private corporations and state governments attempting to exploit space treat its territory as an inexhaustible resource, deploying the finitude of the cosmos as a propaganda device for political ideologies that transcend national and anthropological borders. In this world, finite from the start, all agents of action may, as Latour suggests, be political agents, encompassing humans and non-humans alike. Here, cosmopolitics gestures toward a cooperative approach for addressing global crises. The work aspires to recreate our relationship with the cosmos and dreams of new political imaginaries. In doing so, it acknowledges all actors, including humans, non-humans, objects, and environments, as political agents and situates them within a shared discourse on planetary conditions.

runningtime: 00:12:37

Dear Kevin.jpeg

SUNDAY MAY 17

TWICE IN CASTMOBIEL

Dear Kevin (United States, United States) by Kate Ferguson

A desire for connection compels a woman to realign with her true self. 

runningtime: 00:04:59

A Carcass.webp

SUNDAY MAY 3, 10

MIELE STATION @ SERRE

A Carcass (France) by Djimili Dimou

In a collapsed world, Penelope tries to lead a normal life. Experiencing profound loneliness, she bonds with the corpse of one of her many attackers.

runningtime: 00:20:00

Encountering.jpeg

EVERY SUNDAY MAY 

@ BLOB

Encountering (Sweden) by Christina Tingskog

Three dancers meet, interact, encounter each other at different speeds, mostly slow motion but also extra fast, with very different energies to music by composer Matthew Peterson. Made for the camera and thew choreographer Christina Tingskog has choreographed, filmed and edited in order to really choreograph with the images in relationship to the music. The choreographer chose slow motion in order to focus on details of the movements and the meetings, in an attempt to capture and convey the sensation of watching dance live. The forces in, and the beauty of the bodies, are exaggerated and in focus.

runningtime: 00:13:24

Eurydice.jpeg

SUNDAY MAY 17, 24

MIELE STATION @ SERRE

Eurydice (Belgium) by Cécilia Goodman

From anger to forgiveness, from submission to liberation, a new path of reclaiming the body unfolds - attuned to its sensations and its intuition. Movement becomes a ritual, a space for healing and for releasing what, passed down by women from generation to generation, no longer needs to be carried.

runningtime: 00:14:41

Waters that sculpt fire.jpeg

SUNDAY MAY 3

@ SKULL

Waters that sculpt fire (Spain) by Victoria Ioudina

In the middle of a beach, the film follows an introspective and sensorial journey, from the farthest point to the deepest place, from the external world to the emotional system. 

Upon contact with the sea water, the skin and body transform into a gateway to an inner fissure, revealing a complex emotional portrait manifested as fragments of sharp, broken glass, submerged in the sea. 

As the shards continue their descent, images blur into progressive patterns that expand and contract culminating in a visceral and cathartic transformation. 

runningtime: 00:13:28

Intruders.jpeg

SUNDAY MAY 10

TWICE IN CASTMOBIEL

Intruders (Belgium) by Jan Locus

In an elongated pan, mountain landscapes and misty images of animals are presented in an ethereal, ghostly way. Locus uses found footage black and white photographs of UFO observations from the 1950s and 60s. The UFOs are removed from these photos to seamlessly merge the remaining landscapes. Unforeseen animal death, often reported in UFO sightings, serves as a metaphor for human influence on nature. Intruders explores the boundary between science fiction and reality, investigating themes of reverse colonization, ecology, and human environmental impact.

runningtime: 00:06:05

TACHELES, A Berlin Story.jpeg

SUNDAY MAY 3

TWICE IN CASTMOBIEL

TACHELES, A Berlin Story (United States) by Andy Cohen

TACHELES is the story of a building which miraculously withstood Berlin’s most turbulent century. After its construction in 1906 as a state-of-the-art shopping center in Mitte’s Jewish Quarter, it was seized by the Nazis, then the Soviets, and finally the East Germans who dynamited it. After the wall fell, artists and anarchists from both sides squatted the bombed-out ruin, creating an avant-garde arthouse.

Tacheles becomes synonymous with experimental art and alternative lifestyles in this newly reclaimed social freedom. The film zooms in on the golden era of the building’s life in the 2000s: A thriving art sanctuary with free ateliers where international artists of all backgrounds and mediums flock to live, work and breathe art, fiercely independent of the established art system.

Our guide through the graffitied ruin and the surrounding bullet-ridden streets of Berlin-Mitte is Tim Roeloffs, a humorous, charismatic photomontage artist, whose work preserves the scars of WW2 as well as DDR Cold War culture for future generations to learn from. He leads the Tacheles artists, whose work reflects a neighborhood struggling with reunification and gentrification, as they fight various investors who try to evict them in order to develop the hottest property in the center of Berlin.

runningtime: 01:20:00

Crashlanding!.jpeg

SUNDAY MAY 24

@ SKULL

Crashlanding! (United States) by Jake Nicastro

An ambitious alien crash-lands into Los Angeles, looking to find a way home. 

runningtime: 00:24:58

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